Which thankfully was easy to accommodate and update all of the scenes in the show, I think it took all of five minutes to patch and update the scope of all the scenes.Īnother feature which was extremely useful was the built in Broadcast monitoring mode. Then of course, the client decides they want an extra live mix. The automation system is extremely powerful, but also extremely quick and easy to use, by the end of the (1hr30m) rehearsal I had about 90 scenes stored ready to go for the show. The assignable VCAs and POP groups made it extremely easy to take control of audio from different areas and keep background noise to a minimum without resorting to gating. Once this was all set, all the wireless gear was plugged in (12x Senn lapels and 6xShure IEMs) along with the many stereo channels of playback we finally got to a rehearsal. Initially, I set up a pair of Matrix sends for comms to the presenters in different rooms, and configured the rest of the auxes to be stereo Mix Minus sends. I ended up using a pair of 48 channel stage boxes to allow I/O in different rooms (although the board is limited to 56 channels, it can still patch I/O from any of the 6 AES50 ports (so up to 144 ins and outs) as well as all inputs and outputs on the surface being patchable, even the headphone socket!) Cable runs were made significantly easier due to the 6 AES50 ports on the board. It was very easy to arrange routing and set up mixes for all of these purposes. The Pro2C also functioned as a comms hub for the presenters. It was broadcast live on radio, video streamed over the internet, recorded for posterity and finally had three live mixes for different rooms. Nevertheless, you can still fit a Pro2C, stagebox and multicore into the back of a Ford Mondeo Estate which is pretty cool!ĭown to the gig! I was using the Pro2C to mix a Student Elections night at one of the larger universities here in the UK. The only concern I do have is the quality of the flightcase that comes supplied with the touring package, it appears to be quite delicate and easily scratched, as well as being extremely large and unwieldy for a desk of this size. It may look like it was designed by a five year old, but the layout is excellent and the colour coding of every control makes it very easy to navigate. I'm not saying that the Pro6 is poorly made, it just has a slight rattle when you tap the fader banks! All the faders and pots feel exactly the same and the buttons feel more 'solid' but that might just be down to me. However, I did manage to take one out to a show last week courtesy of IPB Audio.įirst of all, the build quality is better than that of the Pro6 that I have used. Sadly the chaps at Midas were unable to get hold of a Pro2 for my tour on top of the one for the bosses tour. These mirror the steps I took.Apologies for the months long delay in updates. Create a new show: Select the Automation option from the menu Click the “New” button Enter a show name and press enter or click the ok button Configure your external boxes: Select the Patching menu option and click the “config” button Add the IO boxes, and card options on your system using the dialog box Name channels: Go to the Channel Name Page (Input Channel menu option) Click on a channel and either select or type a new name Adjust levels: Go to the console Editor (Default menu option) Click on a channel to bring it up on the detail area on the left Select a detail area (using the vertical tabs) and change the setting of some rotaries by clicking on the rotary and moving the move left or right Add / Save a scene: Either Select a slot and click the store option When the dialog box opens, click the overstore/store to next option and then click OK Or Right click the slot (Ctrl-click or two fingers) Select the Add->OverwriteScene (or insert Scene) option Save the show: Go to the automation page There should be a red Save button, indicating unsaved changes Click the Save button, this should now turn blue This save operation can be completed in the filing page as well Export your show: Go to the filing page and insert your USB key Unload the show with the unload option on the filing page Select your show and click export" Not really dude. Read the Known Issues section below for more information. NOTE: The application sometimes does not start up correctly in this version. A bouncing icon in the Mac OS dock indicates that the application is launching. As per the "Read Me" "Start the offline editor by launching it from the applications folder.
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